What's cooking:
August 2025: ék is heading to our final creation residency for our show Pouet! A 30-min new music show for families with a special focus on children. Our show combines mime, foley, and clown, featuring two friends discovering the world of sound and how it relates to music. We will debut the project in September in Montréal, so stay tuned by following us on IG @ek_emailluine.
What's coming up:
Fall 2025: I continue my half-year residency at Perte de Signal in Montréal and will have the chance to get some mentorship time with some of their incredible community artists working at the intersection of sound, image, and performance. It's my goal this year to develop a studio practice and I've made it a mission to put some time into my installative curiousities through Ambient Parade and the mubone. If you know someone I should reach out to for help please let me know.
Conversations with Space and Architecture at Basement CPH. Video Still: spektrals
May 13, 2025: Just back from Copenhagen, where we mounted the first mubone project with live projection mapping—brought to life through the brilliant digital wizardry of mubone co-creator Travis West. Mezzo-soprano and organizer Kirsten Voss, along with her production company Tonalteatret, made it all possible, and we were thrilled to present the work in a massive former boiler room in the city’s west end. The space still bore traces of its industrial past, with walls beautifully stained by time, which became part of our “soundpainting” as the projections and gestures played across them.
This project marked our first use of multiple live audio inputs in the mubone system, opening up new possibilities for spatial sound. It was also a joy to collaborate with local percussionist Sara Nigard Rosendal, whose background in movement and theatrical performance added a dynamic physicality to the work. We left feeling inspired and excited for where the mubone will travel next.
Orford sessions with Williwaw. Photo: Frédérique Laliberté.
January 28, 2025: My wind trio, Williwaw, with Émilie Fortin and Philippe Lauzier, just wrapped up a two-week residency at Orford Musique in the Eastern Townships of Quebec. We were incredibly fortunate to have the support of the Canada Council for the Arts to make this happen, and over the course of the residency, we recorded a ton of new material that we’re excited to release in the coming year. I also had the chance to experiment with new instruments and trombone preparations—looking forward to sharing more on that soon!
Orford Musique is an amazing place to retreat and focus, nestled at the foot of Orford National Park. With a trailhead right at our doorstep, we hiked every day, which was the perfect reset between sessions. And Jim, our chef, completely spoiled us with incredible meals—definitely one of the highlights of the stay!
Performing with MONO at Pioneer Works, Brooklyn.
December 12, 2024: I had the pleasure of joining MONO for their New York show at Pioneer Works, performing as part of the LPR ensemble alongside many friends and colleagues from NYC’s new and experimental music scene. MONO, the legendary Japanese instrumental band, is known for their sweeping, cinematic sound—blending post-rock, shoegaze, and orchestral elements into emotionally charged, immersive performances. Their music is both delicate and thunderous, building in slow, expansive waves that crash with incredible intensity. It was an unforgettable experience to be part of that sonic world, surrounded by so many inspiring musicians.
Solo trombone and electronics at Émanants.
November 30, 2024: This past November, we wrapped up a two-year journey with Montreal’s experimental music ensembles Bakarlari and ILÉA through Émanants—a project that brought new life to the deconsecrated chapel of La Cité-des-Hospitalières. Once home to the Religieuses Hospitalières de Saint-Joseph, a cloistered order dedicated to healthcare, the space carries a deep history. With its soaring ceilings, long reverberation, and multi-level gallery layout, it was the perfect playground for sonic experimentation. We leaned into the acoustics and architecture, creating site-specific works that felt like they belonged to the space.
As part of this, I had the chance to rework a piece by Toronto-based composer Andrew Noseworthy for modular synthesizer, performed beautifully by Pierre-Luc Lecours. The sound just melted into the chapel’s natural resonance, making for a really special moment. A video is on the way—can’t wait to share it!
Meredith Monk Indra's Net. Photo: Rebekah Heller
September 30, 2024: I’m in the midst of a dream collaboration with the pioneering interdisciplinary artist Meredith Monk, known for her groundbreaking site-specific work. I’m performing on trombone in her piece Indra’s Net at the Park Avenue Armory in New York City, running until October 6, 2024. It’s been such a wholesome experience to work with Meredith every day—she has this remarkable ability to make everyone feel special. Watching the community and body of work she’s built over decades of innovation is nothing short of inspiring. We do movement and voice warm-ups each day, and I’ve picked up a few great quotes along the way, with my favorite being: “Make space your ally.”
Performance Installation Leung/Longbottom Same 36 Tunes for 100 Years (2024) Aldeburgh Festival, UK
Video stills by Matt Jolly.
Interactive Sound Performance Leung/Szabo Migrations (2022) CIRMMT, Montreal
Video stills by CIRMMT.
Live Performance Leung The Digital Harings (2017) Lincoln Center, NY
Photo by Phillip Van Nostrand.
Exhibit / Performance Installation Leung/del Tredici Baker's Lung (2023) Goethe Institute, HK
Photos by Ballade Ho.
Sound and Mime Performance Leung/Fortin (ék) Music Gallery, Toronto
Photos by Kyle Meng.
Live Performance Ambient Parade (Leung/Forteen/Uesaka) IBeam, NYC
Video still by Pete Brensinger.